The 4VALUES of Words
1. To
make a gematric construction perfect, the poet also determines the 4values of WORDS. In addendum1
first the 4values of the whole
text and then of the single lines have been dealt with.
2. In
the following two tables the NS+FS of the words and both their FV form
two groups, especially with regard to OVID.
NS+FV
and FS+FV might also be grouped together.
OVID |
|||||||
|
NS |
FS |
sm |
FV/N |
FV/F |
sm |
tot. |
Hic |
20 |
15 |
35 |
9 |
8 |
17 |
52 |
ego |
26 |
21 |
47 |
15 |
10 |
25 |
72 |
qui |
45 |
23 |
68 |
11 |
23 |
34 |
102 |
iaceo |
32 |
24 |
56 |
10 |
9 |
19 |
75 |
tenerorum |
122 |
101 |
223 |
63 |
101 |
164 |
387 |
lusor |
80 |
54 |
134 |
13 |
11 |
24 |
158 |
amorum |
76 |
50 |
126 |
23 |
12 |
35 |
161 |
ingenio |
70 |
59 |
129 |
14 |
59 |
73 |
202 |
perii |
55 |
42 |
97 |
16 |
12 |
28 |
125 |
Naso |
46 |
31 |
77 |
25 |
31 |
56 |
133 |
poeta |
54 |
42 |
96 |
11 |
12 |
23 |
119 |
meo |
31 |
21 |
52 |
31 |
10 |
41 |
93 |
at |
20 |
20 |
40 |
9 |
9 |
18 |
58 |
tibi |
39 |
33 |
72 |
16 |
14 |
30 |
102 |
qui |
45 |
23 |
68 |
11 |
23 |
34 |
102 |
transis |
95 |
72 |
167 |
24 |
12 |
36 |
203 |
ne |
18 |
18 |
36 |
8 |
8 |
16 |
52 |
sit |
46 |
33 |
79 |
25 |
14 |
39 |
118 |
grave |
50 |
39 |
89 |
12 |
16 |
28 |
117 |
quisquis |
126 |
62 |
188 |
15 |
33 |
48 |
236 |
amasti |
60 |
42 |
102 |
12 |
12 |
24 |
126 |
dicere |
43 |
40 |
83 |
43 |
11 |
54 |
137 |
Nasonis |
86 |
58 |
144 |
45 |
31 |
76 |
220 |
molliter |
98 |
85 |
183 |
16 |
22 |
38 |
221 |
ossa |
51 |
26 |
77 |
20 |
15 |
35 |
112 |
cubent |
62 |
51 |
113 |
33 |
20 |
53 |
166 |
|
1496 |
1085 |
2581 |
530 |
538 |
1068 |
3649 |
2581:1068 = 89*(29:12) = 89*41 = FV 130 |
OVID, by his stupendous art, contrives to establish a
ratio of the two groups of values, with 89 as its common factor. All three numbers have to do
with coordinate axes. 29
refers to coordinate axes formed by two double rhombi of the hexagram
to be shaped into an octahedron:
|
The
frame of the two double rhombi consists of 29 elements which enclose twice four triangular areas
and two dividing lines. These 12
elements are added by the FV of the NS
and FS.
89 is achieved in an axis that is numbered from the
centre from 1-9 in both
directions:
|
The axis
consists of 9 points
and 8 measures. 8+9
constitute the basis of numbers inasmuch 9 basic numbers
|
3. If
Shakespeare interpreted Ovid's construction correctly, he could see its
perfectness that was not to be meddled with. On the one hand he adopted some of
Ovid's concepts, on the other hand he completed his initiatory interest in the
SATOR square to an all-comprising end:
GOOD |
39 |
29 |
68 |
16 |
113 |
||
FREND |
45 |
44 |
89 |
11 |
15 |
26 |
115 |
FOR |
37 |
31 |
68 |
37 |
31 |
68 |
136 |
IESVS |
70 |
36 |
106 |
14 |
10 |
24 |
130 |
SAKE |
34 |
21 |
55 |
19 |
10 |
29 |
84 |
FORBEARE |
67 |
61 |
128 |
67 |
61 |
128 |
256 |
TO |
33 |
28 |
61 |
14 |
11 |
25 |
86 |
DIGG |
27 |
24 |
51 |
9 |
9 |
18 |
69 |
THE |
32 |
30 |
62 |
10 |
10 |
20 |
82 |
DVST |
61 |
40 |
101 |
61 |
11 |
72 |
173 |
ENCLOASED |
74 |
59 |
133 |
39 |
59 |
98 |
231 |
HEARE |
36 |
34 |
70 |
10 |
19 |
29 |
99 |
BLESTE |
60 |
50 |
110 |
12 |
12 |
24 |
134 |
BE |
7 |
7 |
14 |
7 |
7 |
14 |
28 |
|
622 |
494 |
1116 |
326 |
294 |
620 |
1736 |
YE |
28 |
28 |
56 |
11 |
11 |
22 |
78 |
MAN |
26 |
21 |
47 |
15 |
10 |
25 |
72 |
YT |
42 |
42 |
84 |
12 |
12 |
24 |
108 |
SPARES |
74 |
47 |
121 |
39 |
47 |
86 |
207 |
THES |
50 |
38 |
88 |
12 |
21 |
33 |
121 |
STONES |
87 |
62 |
149 |
32 |
33 |
65 |
214 |
AND |
18 |
18 |
36 |
8 |
8 |
16 |
52 |
CVRST |
77 |
56 |
133 |
18 |
13 |
31 |
164 |
BE |
7 |
7 |
14 |
7 |
7 |
14 |
28 |
HE |
13 |
11 |
24 |
13 |
11 |
24 |
48 |
YT |
42 |
42 |
84 |
12 |
12 |
24 |
108 |
MOVES |
69 |
38 |
107 |
26 |
21 |
47 |
154 |
MY |
35 |
30 |
65 |
12 |
10 |
22 |
87 |
52 |
37 |
89 |
17 |
37 |
143 |
||
|
620 |
477 |
1097 |
234 |
253 |
487 |
1584 |
|
1242 |
971 |
2213 |
560 |
547 |
1107 |
3320 |
1107 = 27*41;
1107+1068 = 2175 = 75*29 |
|||||||
1242+560 = 1802 = 34*53; 971+547 = 1518 = 6*11*23 |
|||||||
1116:620
= 31*(36:20)
= 124*(5:4) |
Shakespeare
adopts 41 on his
own efforts and 29
with the help of Ovid's result. As 971 and 2213 are
prime, he establishes two combinations of NS+NV and FS+NV.
34*53
is an ideal product to describe the elements of the octahedron: Its outside can
be divided into two halves of 17
elements each. 53 is a
combined result out of 26
outside elements and again 26
elements plus 1 for the
volume.
The
product 6*11*23 represents one
conception of number 34
and of the SATOR square. It refers – as above – to combined results of elements
of the three
hexagonal axes:
|
The diameter
connects two radial units of three elements by one centre point. This enables
the calculation 5+6 = 11. The
same can be repeated with numbered elements from 1 to 3.
Thus 23 comes about. Each set
can claim the triple result 33
and 69. This is expressed by
the factor 6. The numbers 15
and 18
count the elements of three diameters and 6 radial units.
The
double aspect of radial and diametrical elements is also reflected in the total
result 3320:
3+3 and 3+2. Besides, the FV of
3320 is 94, the NS of OVIDIUS.
4.
Ovid's and Shakespeare's
combined results are 3649+3320
= 6969 = 69*101 = 23*303. Twice 69 can be read SATOR ROTAS – Creator, you turn (the wheels), 23*303 means 23 times the NS of the
sator square
5. The
4values of
Ovid's text, lines and words form a logical whole, which is shown in Addendum3.